Art, Body and Mind through the Works of Marina Abramovic Essay

Art, Body and Mind done the Works of Marina Abramovic - Essay interpreterThe essay Art, Body and Mind through the Works of Marina Abramovic concerns the art of Marina Abramovic. The perspective, which Abramovic has built, is ground on pushing the limits of berth to redefine expressions of the mind. This research paper will examine how Abramovic has changed her physical space to represents the mental aspects of performance and to give a sense of symbolism with the arts used. This will be further explored by saying the diverse perspectives and angles that Abramovic has considered with the performances. The outside influences and environment that Abramovic is in as well as the ways in which she has approached various performances through fourth dimension to change her philosophy will then create a specific perspective based on something that moves beyond the culture and becomes a part of expressing the existence of the mind. This paper will first controvert the ways in which Abramovic was influenced, specifically during her earlier years and childhood. This run will be used to understand how Abramovic began running(a) with later performances and what concepts carry on to be associated with her works. There will then be an overview of the philosophers that have influenced Abramovic and how these philosophies continue to be a part of the narrative of performances by the artist. The examination of outside philosophers will link instanter to the vox populi processes that are used in each performance. This will lead to an understanding of how Abramovic trains for a performance.... The external influences and environment that Abramovic is in as well as the ways in which she has approached various performances through time to change her philosophy will then create a specific perspective based on something that moves beyond the culture and becomes a part of expressing the existence of the mind. This paper will first discuss the ways in which Abramovic was influenced, specifically during her earlier years and childhood. This examination will be used to understand how Abramovic began working with later performances and what concepts continue to be associated with her works. There will then be an overview of the philosophers that have influenced Abramovic and how these philosophies continue to be a part of the narrative of performances by the artist. The examination of outside philosophers will link directly to the thought processes that are used in each performance. This will lead to an understanding of how Abramovic trains and prepares for a performance and how this is associated with the revoke results in each of the performances. There will then be pieces based on the philosophies of Abramovic. The first examination will be of the perceptions of the mind and how the challenge of Abramovic is to let go of bodily limitations. The concept will be to understand how Abramovic believes that the body is one which can be pushed outside of what is physically expected, specifically which is dependent on the mind. The second philosophy examined will be the idea of pain and dying that is displayed in the performances by Abramovic. The terce philosophy will be the concept of the mirror, which Abramovic incorporates into her performances with interactions from the audience. There will also be a section on the other