Albrecht Durer s Self Portraits - 2317 Words

Albrecht Durer’s Self-Portraits Introduction The life of Albrecht Durer is described as that of a person who spent it on influencing art, culture and society during the Northern Renaissance. During his time, he represented and witnessed some of the most momentous events in the modern European history, including both cultural and religious dimensions of the religious humanist movement1. He conceptualized the movement of Martin Luther as part of the larger matrix of religious and theological reforms that were grounded in the humanistic study of Christianity. Since he was the first artist in the north that attempted to change the medieval style of religious devotions to reflect new Renaissance styles and concerns, he was able to give a visual†¦show more content†¦Nonetheless, the revival of trade and towns in the north, which were combined with several other factors, brought the wave of Renaissance to northern Europe. First, there was a revival of the urban centers in the north along with the Spanish and Portuguese that b rought overseas colonies that created financial resources, which are required to patronize arts3. Secondly, the growth of trade in the north that was combined with the Italian invasion by the French, as well as the ability of the printing press to spread ideas accurately and quickly, led to the growing contact with the Italian Renaissance ideas. Lastly, the rise of towns together with the increase in national monarchies in England, France, Spain and Portugal led to the decrease in feudal nobility and the medieval church. It, therefore, reduced the resistance of new ideas from the Renaissance. However, the northern Renaissance should not be viewed as an imitation of the Italian Renaissance because there are two major differences in the cultural movements that existed between the north and Italy. First, the church had a lot of influence despite being shaken by scandals and corruption. Second, the rising power of national monarchies and power also made the northern Renaissance more nat ionalistic in nature. The Renaissance and Classical Culture The Northern and Italian Renaissance had cultural differences whereby countries in the north of the Alps were short Albrecht Durer s Self Portraits - 2317 Words Albrecht Durer’s Self-Portraits Introduction The life of Albrecht Durer is described as that of a person who spent it on influencing art, culture and society during the Northern Renaissance. During his time, he represented and witnessed some of the most momentous events in the modern European history, including both cultural and religious dimensions of the religious humanist movement1. He conceptualized the movement of Martin Luther as part of the larger matrix of religious and theological reforms that were grounded in the humanistic study of Christianity. Since he was the first artist in the north that attempted to change the medieval style of religious devotions to reflect new Renaissance styles and concerns, he was able to give a visual touch to a few significant changes in the culture of Christianity. It is significant to understand the complex dimensions of the Northern Renaissance through Albrecht Durer’s art as reflected in his self-portraits. The History of the Northern Renaissance There are various reasons which explain why the Renaissance occurred late in the northern part of Europe. First, it was eliminated from the trade centers and the Mediterranean culture. As a result, trade, towns and advanced ideas that came with wealth were developed slowly in the north than all other parts of Europe2. The greater influence of the church and feudalism also kept the social, political, and intellectual institutions more backward and medieval and this, in turn, offered moreShow MoreRelatedAlbrecht Durer s Self Portraits2317 Words   |  10 PagesAlbrecht Durer’s Self-Portraits Introduction The life of Albrecht Durer is described as that of a person who spent it on influencing art, culture and society during the Northern Renaissance. During his time, he represented and witnessed some of the most momentous events in the modern European history, including both cultural and religious dimensions of the religious humanist movement1. He conceptualized the movement of Martin Luther as part of the larger matrix of religious and theological reformsRead MoreThe Cahnging Role and Status of the Artist 1300-16002133 Words   |  9 Pagesstudents. Her patron in the 1540’s was Maria, Queen of Hungary. In 1554, she married Christian (or Chrà ©tien) de Morien, an organist at the cathedral in Antwerp, which was at that time an important position. In 1556, when the Queen of Hungary resigned her position Caterina and her husband also moved to Spain, on invitation of her patron, to Spain. Two years later, when Maria died, Caterina was given a sizeable pension for life. She mainly created portraits, usually seated, of wealthy men andRead MoreEssay about Mannerism in Florence and Rome2819 Words   |  12 PagesMannerism in Florence and Rome - considered to be more self- consciously artificial - derived from aspects of Raphael and Michelangelo - cold formalism was considered to be inner vision Rosso - (1494-1540), Italian painter, whose early works helped define Italian mannerism - later was a founder of French mannerism - was born Giovanni Battista di Jacopo di Guasparre in Florence - early work had odd perspectives, violent colors, and harsh lighting - 1523 Rosso moved to Rome, whereRead MoreWilliam Blake was born in London on November 28, 1757 to James and Catherine Blake. His father,1600 Words   |  7 Pagespoetry (Harris 5). He enjoyed the works of Shakespeare, Jonson and Spenser and ancient ballads as opposed to current literature at the time (â€Å"The Young Artist†). 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However, the evidence for this argument is less sound because of the Italian Renaissance s lack of a scientific revolution. During the Italian Renaissance, individuality among men was encouraged. Individualism among artists was reflected in their works and recognized based on an artist s ability. Competition among artists fueled the new individual movement, a concept that was not encouraged during the Middle Ages. The focus on the possessionRead MoreA Grand Chain Of Rebellion First Beginning Of The Renaissance Era2674 Words   |  11 Pageslandscape. A common characteristic element of Leonardo’s paintings included perspective and realism, particularly in the depiction of humanity, either as portrait, symbolic, or narrative element. Some of the common themes in the works of Leonardo da Vinci are: Religious - Mother and child, Biblical stories and heroes; Portraiture and self-portraits; Nature; Architecture; Classical - Greek and Roman mythology; Human anatomy; Saints and angels. (Hays Law, 1989.) Leonardo da Vinci utilized the rules