The Nature of Love from Millay and Shakespeare

?Passage I,? by Edna St. Vincent Millay, and ?Passage II, by William Shakespeare, both hook the true nature of lie with. Edna St. Vincent Millay signalises lie with as something that willing give-up the ghost to death. William Shakespeare detects chi deale as a fever that makes virtuoso ill. both(prenominal) these poems clearly show that the nature of cognise is so debauched that people want to break away from it. In Edna St. Vincent Millay?s poem, the nature of bed is mainly described as dangerous and something that preempt cause death. Millay uses several literary elements to express her root of be intimate. One of these elements includes imagery. She shows how love can be unpredictable by describing love as a ?green fire.? She uses this term because the loudness green is not usually associated with the color of fire. Millay also uses the comment of love as ?shimmering ice-bergs.? This gives the reader a sense that love can also be cold and fierce. Lastly, Mi llay describes love as lighting and a sword striking incessantly. This is a very vivid characterization of love because the reader can straight off compass a picture of how painful love can be. In her line, ?Mist, shadow, silence-these are lovely, too,? Millay shows that she prefers a softer, milder love. Millay also uses metaphors in her movie of love. Phrases such as ?peaks of love,? stand out in the poem. Millay describes love as a set in this implied metaphor. By choosing to describe love as a green goddess, she gives the reader an image of love as jagged and sharp. Also, by using the term ?peaks,? Millay tries to come in the reader to understand that love is like a mountain where one is so high up that it is easy to fall. Love, she says, has a part whose name is... If you want to get a vast essay, order it on our website: OrderCustomPaper.com

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